![]() He’s also working on Yebba’s forthcoming solo debut, and on a recent spring night, Ronson gathered a top-tier band - including Questlove of the Roots, the bassist Pino Palladino and other session players from D’Angelo’s storied “Voodoo” era - at Electric Lady Studios, the collective’s old stomping ground, to work on her songs. The 24-year-old singer went on to contribute a suite of songs that became the album’s center, including the smoldering, tears-on-the-dance-floor “Don’t Leave Me Lonely,” which Ronson said he hoped would have a chance to become a huge hit after the tracks with more recognizable names get their shine. Ronson also recalled getting a bit lazy after past breakthroughs, trying to recreate his work on Winehouse’s Grammy-collecting “Back to Black” in the years that followed, and doing something similar with “Uptown Funk” on the soundtrack to the “Ghostbusters” reboot in 2016. (“Uptown Funk,” he admitted, was “75 percent Bruno.”) “I think that album had one monster hit and some really good songs and was a little scattershot,” he said in his distinct, endearingly marble-mouthed trans-Atlantic accent, adding that those tracks often felt like they belonged as much, if not more, to his collaborators. ![]() (His parents are Laurence Ronson, a real estate entrepreneur, and Ann Dexter-Jones, the socialite who went on to marry Mick Jones of Foreigner.)īut the problem with succeeding so consistently - and with being leading-man handsome, with a head of hair that actual leading men might pay thousands for in Beverly Hills - is that eventually people start to get curious about you, especially amid the rise of D.J.s and producers as pop stars, including Diplo, Calvin Harris and the Chainsmokers.Īnd although the album features Cyrus (on the disco-country lead single “Nothing Breaks Like a Heart”), alongside tracks led by Alicia Keys and Camila Cabello, it’s not an A-list onslaught - no Gaga, no Mars - with its emotional and thematic core handled by a fleet of up-and-coming and left-field singers and songwriters like Ilsey Juber, Yebba, Lykke Li, King Princess and Angel Olsen.įor those reasons, “Late Night Feelings” is unlikely to become “Uptown Special” part two, which for Ronson, is the point. turned super-producer - was the type to feel most comfortable in the studio and in the liner notes for modern giants like Amy Winehouse, Adele, Lady Gaga and Mars. And he’s fine with that.īecause for most of his career, Ronson - the princely heir to a New York-via-London society-page family turned downtown D.J. 1 and a Grammy for record of the year - actually appeared under Ronson’s name on his 2015 album, “Uptown Special,” is but a trivia footnote. ![]() ![]() The fact that “Uptown Funk,” one of the most successful and recognizable pop smashes of this century - with 3.5 billion views on YouTube, 14 weeks at No. For going on five years now, the record producer Mark Ronson says he has been known by no small number of casual music fans, if they can identify him at all, as “the white guy from the Bruno Mars video.”
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