The problem with Duncan, who was born in 1877 and died at the age of 50, is that dance-lovers and feminists know she was important. ![]() Beyoncé incorporated lines of poetry from Warsan Shire into her performance: “Your mother was a woman, and a woman like her cannot be contained.” With this performance, Bey certainly proved that she can’t be contained. Protective Hand Bangle, 80, Isadora Duncan is hardly pictured wearing jewelry except for a few images that depict her in her younger years wearing more traditional dance costumes. But I’d also love to have seen Isadora Duncan dance. But her backup dancers were really the highlight of this section, with their sweeping canons and daring balances. It wouldn’t be the first time Bey “channeled” modern dance.Īdmittedly we were a little scared for Bey’s life for a second there. With long, flowing fabrics and Greek goddess–inspired gowns, we couldn’t help but think of early modern dance pioneers like Isadora Duncan and Loie Fuller. She paid homage to the mothers of modern dance. Mary Sano, much like Isadora Duncan, encourages movement that pivots around the body’s solar plexis as a center of gravity. Either way, the graphics made for striking visual moments and amplified the often-subtle choreography. So seamlessly that it was often hard to tell if we were looking at real Bey or digital Bey. ![]() She seamlessly integrated technology into the choreography We didn’t think it was possible for us to love Bey more than we already do, but the understated yet statement-making choreography and sophisticated aesthetic of last night’s performance was a new high, even for the Queen herself. In case you live under a rock and haven’t heard, Beyoncé performed at the Grammys last night, and it was pure perfection.
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